Comparing Treatment of Death During the Renaissance and in Shakespeare’

interference of Death During the Renaissance and in Shakespeares Romeo and JulietShakespeares Romeo and Juliet is arguably the more or less well known and well-read play in history. With its passionate and living treatment of universal themes of love, fate, war, and death, its not difficult to see why. However, just about tribe dont realize that there are some(prenominal) versions of the play, each with their own unique additions and/or changes to the plot, dialogue, and characters. After thumbing through the texts hardened here on this website, you can see even at a glance the distinct differences between the versions of Romeo and Juliet. This essay will explore how people dealt with death during the Renaissance in context to Shakespeares Tragedy of Romeo and Juliet (Lamentable Tragedie.) more(prenominal) specifically, I will show that the added monologue in act 4, stroke 5, regarding the convention of death, is consistent to the social and religious beliefs of the time per iod. Act IV, slam V of the Lamentable Tragedie is perhaps the most insightful scene relations with the coping of death during the Renaissance. Previous to the scene Romeo has been banished for slaying Tybalt, and Juliets have has forced her to marry her betrothed Paris. In a desperate try out to avoid the marriage and reunite Juliet with her love, the Friar gives Juliet a sleeping philosophers stone to stage her death. Convinced that a marriage to Paris would be worsened than death, Juliet takes the deathly potion and falls into a coma-like sleep. At the beginning of the scene the manse is stirring with excitement in preparation for the wedding and the nurse is send to wake the sleeping Juliet. After much calling and shaking, the nurse begins to laughable that something is wrong. Could her mistre... ...ents in such a manner, royalty reigned supreme during Shakespeares solar day and could do and speak as they saw fit. Finally, it is important to understand the diachronic con text for which the characters were written. Shakespeares Romeo and Juliet was written for an audience that had survived the destructive forces of the Black Death, and divided a different philosophy on death altogether. Works CitedHeitsch, Dorothea. advance Death by Writing Montaignes Essays and the Literature of Consolation. Literature and medicament 19, Jan. 2000 pp 1-6.Huizinga, Johan. The Waning of the Middle Ages. London Edward Arnold, 1924.Spinrad, Pheobe. The Summons of Death on the medieval and Renaissance English Stage. Columbus Ohio State University Press, 1987.Wilcox, Helen. Women and Literature in Britain 1500-1700. in the altogether York Cambridge University Press, 1998.