Frontline :: essays research papers

Frontline exposure of menstruation personal business programs makes a mockery of journalistic honor.Through humorous portrayals of important issues, and clever imitation Frontline makes veiwers awargon of irony towards journalistic integrity. While current affairs programs are based on real sprightliness stories, which are enhanced to make costly intelligence agency, Frontline is based on the making of these stories. Frontlines purpose is to inform the audience of the life behind a current affair program but more than importantly its main focus is on entertaining the audience. This is achieved in more ways, primarily by bending real life situations out of patronage to journalists uprightness.Current affair programs do not take stories as they are and simply present them with the facts, they are sensationalised and enhanced to bring more amusement value to them, however this is not widely known throughout the command public. Furthermore its exactly what Frontline did with T he Siege and Dessert Angel when it complemented trusted factors of the story to make them sound more entertaining than the boring facts. By enhancing the facts and manipulating the truth it made the stories more presentable to the audience as a form of entertainment and mockery in regards to journalists. This was spoken about in the Dessert Angel episode when Marty shows Stu how anyone can be turned into good media fodderFrontline is aimed at being a comedy program and because has a main purpose of comedy and entertainment rather than informing. most(prenominal) nightly current affair programs struggle to get articles for to each one night. approximately with three or four articles a night have a very tight and limited time schedule to prepare each night. Therefore with such a limited time they are ineffectual to really concentrate on the serious analysis of some current affairs programs. Frontline exaggerates and exposes this concept in the episode Desert Angel, where Frontlin es integrity is taunted as it secures an exclusive with Australian aid worker Jessica Steckle, whom a calendar week before was given a funeral by the team at Frontline with microphone providing the eulogy. The issue is made humorous with the bidding war scene right away following Mikes adamant speech that the team at Frontline do have ethics and integrity. Whilst the episode maintains its criticism of current affairs programs and journalists by indicating that bidding wars and chequebook journalism are rife though-out such programs.In The Siege, Frontline again tackles an exceptionally topical issue, and interspersing ironic wit to signify their criticisms.