Analysis Of Arthur Miller’s Death Of A Salesman Essay

This American drama was first premiered in 1949. It was an instant success and it also won Arthur miller a touch among one of the best American playwrights of the 20th century. It was a satirical clap on the smashing American envisage of prosperity and material wealth and had also ch onlyenged the warnings of the past 160 years that constituted such reveries. This emblematical play by Arthur miller is a modern masterpiece, in which the built-in conditions of benevolent existence and a fierce battle to fight by it, is lived by the protagonist volitiony Loman, that fin whollyy ends in a disaster cal guide, death.Willy Loman is a disillusioned sixty three year old man who has commove distinguishing between past and present, and reality and illusions. His illusory judgments draw an iron cerement before his sensibilities and he refuses to see the reality of his abject conditions. His calamity lies in the fierce determination to fight an im practical battle and to seek fac ile solutions to his severe economic problems. In his relentless pursuit of an unrealistic conceive of Willy Loman submerges himself in a fill out disengagement from reality that brings an end as yet much tragical than his invigoration.Being an irrepressible old man he never really evaluates or understands the turned and incomplete values of a venal American society. He fails to understand the vacuous idea behind(predicate) the Great American Dream and his limitless hope. A similar group had been portrayed in The Great Gatsby (Fitzgerald) where Gatsby was corrupted by money and dishonesty, and the Great American Dream of happiness and individualism disintegrates into mere pursuit of wealth.Although Gatsby had the billet to turn his dream into reality, the character of Nick discovers that both Gatsbys dream and the American dream is over. In the same way, Wills firm struggle against the forces of entropy in his life leads him to neurosis, and finally suicide. Theater is an imagined world, be by imaginary characters, except tragedy strikes one and all, and the nature of tragedy is to hit our deepest consciousness and invade our sensibilities with its prolonged stay.Robert A Martin says in his essay, The spirit of Tragedy What the performance of a play gives an interview is less a set of ideas, propositions or abstr performance about life and how to live it than what Arthur Miller has called a felt experience, the imaginative sharing and participation in the lives and actions of imaginary characters. In support of what Robert A Martin says, Willy Lomans character pulls the audience along with its chain of tragedies and leaves one with a feeling of acute distress, alone more(prenominal) than a felt experience it also gives one an insight into the inherent realities of human tragedies.In Death of a salesman the audience take in the tragic collapse of a single individual and the tragedy of the accurate family, right before their eyes. The audien ce leave the auditorium with a whole naked as a jaybird set of lessons in life and as Martin says how to live it. In his bind Robert A Martin also elaborates on the vicarious influences of a tragedy, on the person, who ceremony it with a detached sense of belongingness. He says, Theatre is the art of the possible and as we read the play we believe that Willy Lomans tragedies are non unbelievable or fictitious although his character was an imagination of the playwright Arthur Miller.As Aristotle said that Tragedy is something that evokes the emotions of mercy and fear in the presence of an action of a certain magnitude. Willy Loman also falls into the trap of tragedy and as the nature of tragedy is, it brings about a fear in him. Willy tries to strain away from that fear and refuses to undertake his misfortunes and his failures. It mostly happens with dramatic experiences that our thoughts and emotions often arrest with those of the characters we watch in a play we weep, sm ile and get go by their performances. It continues to stimulate and engage us directly in our social, incorrupt and political questions.The audience too goes through an inveterate interchange of pity and fear inside his mind as he watches a human being go through a painful hell, which is in Millers view due to his own obduracy. Death of a salesman is non just a tale of tragedy that happens to a broken, exhausted man, but is also a caustic attack on the American Dream of achieving wealth and success with no regards to principals and values of life. Willy Loman became a household tell apart after the play was released and became a profound example of a tragic life, bowed down by struggles to cope up with a private-enterprise(prenominal) society.Willy Lomans tragedy does not lie just in his funky economic condition, but also in his misplaced sense of pride. In the play he takes loans from his neighbor Charley to make both ends meet, but refuses to let in the offer of a better jo b from him. His warped sense of pride conveys in the way of his chances to improve his conditions. His refusal to accept reality is a tragedy bigger than his dismal life, and it exasperates his son Biff with whom he had a affect relationship. Willy refused to accept that his sons are also failures such as him, and in allege to make their lives better he falls into a trap of elevate hopelessness. A mans descent to failure is horrendous to contemplate. whatsoever line of work you are in, we are all salesmen, selling our products, our services, our selves.Says Wills meighbor Charley , in a line that crystallizes the anxiety of uncountable men everywhere, not just in America And when they start not smiling back. employers, partners, customers- Thats an earthqauke. ( Kilnghoffer, Undying Salesman, 1999). Willy Loman suffered from a feverish and unrealistic hopefulness and guilt of having failed his sons, and also the refusal to accept certain facts of life.The neurosis that set in him affected his life, and also him led to suicide. His death was perhaps a bigger tragedy than his life because it prove to be the final blow to the grief stricken family. Due to his forbidding stubbornness he believed the notion that one is often worth more dead than alive (Miller, Pg76) and commits suicide, so that his family gets the indemnity money and his sons lead a better life with that money, than he did when he was alive. Willy did not realize that insurance money is invalidated when a person commits suicide.As Biff says at the graveyard, He had the wrong dreams. All, all wrong. In this play tragedy is on two fronts. One is literal, when Willy dies after an unrelenting wrestle with his fate, and other is a symbolical death, that was the death of the American Dream, or ridding of a false notion of perfection. Willys guilt, his idolization of his sons and his constantly haunting memory of his sidekick turns his life into a pitiful tragedy and he lives through it al l with an immature sense of unreality.In trying to project himself as an ideal father and salesman he plunges himself into an illusory world where he never really grew up. Im gonna show you and everybody else that Willy Loman did not die in vain. He had a good dream. Its the only dream you can have- to come out number one man. He fought it out here, and this is where Im gonna win it for him. (Miller, Death of a Salesman, Act2) The misfortune of Willy was that he tried to discover his lost dignity and his familys love and also a magnify image of himself as an ideal salesman and father, on the last day of his life, and loses all.His complete disengagement from reality is what the tragedy is all about. It evokes the pity and fear that Aristotle round about in Poetics (330 BC). The character of Willy Loman is befitting the concepts of Aristotles Tragedy. professedly to life (realistic), consistency (true to themselves) meaning, once a characters motivation and temper are establish ed these should continue throughout the play. Necessary or potential meaning, characters must be logically constructed according to the law of probability or necessity that govern the actions of the play.Finally, true to life and yet more pulchritudinous (idealized, ennobled). Death of a Salesman has that true to life aspect, depicting the fact that each middle class man with limited means, would get into the delusionary world of dreams and aspirations of more wealth and the terrifying darkness that lies coiled beneath such unrealism. body of the portrayal is apparent in Lomans relentless pursuit of an pernicious life.The necessary probability is the fact that such a dogged belief in illusionary world nearly always creates a chart of downward slide in a persons life. True to life, is the condition of tension that is life and human existence. Death of a Salesman is a modern masterpiece that celebrates, as Chris Bigsby expressively states, the miracle of human life, in all its b ewilderments, its betrayals, its denials, but finally and most significantly, its transcendent worth. (Poet, 723).